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Charles M Russell Waiting for a Chinook oil painting


Waiting for a Chinook
Painting ID::  41475
Charles M Russell
Waiting for a Chinook
mk162 undated Watercolor on canvas 20x29

   
   
     

Charles M Russell Sioux Torturing a Blackfoot Brave oil painting


Sioux Torturing a Blackfoot Brave
Painting ID::  41476
Charles M Russell
Sioux Torturing a Blackfoot Brave
mk162 1897 Watercolor on paper 15x20

   
   
     

Charles M Russell Bringing Home the Spoils oil painting


Bringing Home the Spoils
Painting ID::  41477
Charles M Russell
Bringing Home the Spoils
mk162 1909 Oil on canvas 24x36

   
   
     

Charles M Russell Joe Kipp-s Trading Post oil painting


Joe Kipp-s Trading Post
Painting ID::  41478
Charles M Russell
Joe Kipp-s Trading Post
mk162 1898 Watercolor and gouache over pencil 11x18

   
   
     

Charles M Russell Indians on a Bluff Surverying General Miles-Troops oil painting


Indians on a Bluff Surverying General Miles-Troops
Painting ID::  41499
Charles M Russell
Indians on a Bluff Surverying General Miles-Troops
mk162 undated oil on canvas 23x35

   
   
     

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     Charles M Russell
     American Painter, 1864-1926 American painter and sculptor. In 1880 he left his upper-class home in St Louis for Montana Territory. He worked briefly on a sheep ranch, spent two years as a hunter's and trapper's assistant and then became a cowboy. During his considerable spare daytime hours he painted, sketched and modelled small animal figures in clay (e.g. Antelope, 1915; Fort Worth, TX, Amon Carter Mus.). Although he painted a few exceptional oils and watercolours prior to 1900, the vast majority of his best work was done in the last two decades of his life. Typically the subject-matter centres around cowboy life (e.g. Wagon Boss, 1909; Tulsa, OK, Gilcrease Inst. Amer. Hist. & A.) and the Plains Indians, for whom he had great respect. The luminous Piegans (1918; Denver, CO, Mus. W. A.), with its depiction of the Plains Indians, is a reminder of the vastness of the American West. Russell's sense of humour and empathy for his subject-matter radiates from his paintings as pleasingly as do the clear colours of the high country. His bronze sculptures (e.g. Buffalo Hunt, 1905; Denver, CO, Mus. W. A.) depict the same dramatic and tension-packed themes as his paintings.

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     | Raffaello | Emile Munier | Daret, Jean |


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